Hello once again and welcome to A Mind Occasionally Voyaging, where I pretend terrible old movies are actually pretty good, while showing you screenshots that demonstrate that the body text has been making use of sarcasm. This is the point in the article where I pretend to introduce this week’s movie, up until I get interrupted by this week’s guest star who will pretend to be just dropping by unexpectedly.
We’re in part three of the Michael Moriartython, wherein we enjoy the cinematic stylings of the greatest action-horror hero of the 1980s, Michael Moriarty. A man with the wherewithal to speak out against such evils as, to quote Wikipedia, Bill Clinton, abortion, embryonic stem cell research, anti-Catholicism, Sir Arthur Conan Doyle, George W. Bush, both major U.S. political parties, Halliburton, Kenny G, the College of Cardinals, and Islam. Though he later recanted his ill-considered statements against Islam, we can only assume that I should not approach him to play the lead if I can ever get funding to produce my spec script, 
Sherlock Holmes and Kenny G Team Up To Save The Pope.
But that’s a story for another day. Our movie this week is.
Ahem. Our movie this week is.
Oh come on. I know you’re out there. I’m not going to start going into my review only to have some robot or ghost or video game character pop up and interrupt me, so let’s just get it over with.
Hey, keep your freakin’ pants on, I’m molting over here!
Aaaah! It’s the bird from The Giant Claw! A horrible eldrich monstrosity as big as a– Hey. Wait. I thought you were bigger.
That is, point of fact, a popular misconception. You see, in the film, when they referred to me as being as big as a battleship, they were in fact speaking of popular Milton Bradley board game of that name.
I see. So when they went to make the movie, they got confused?
Oh no. Youse have only seen the film in its theatrical edit. There is a deleted scene in the director’s edtion which reveals at the end that the entire film has taken place on a parallel planet which is exactly like earth in every way, except that it is approximately 1/60th your size. The entire cast consisted of smurf actors. That is why they decided to film in black and white. It’s actually quite obvious if you watch the scene in the general’s office.
You mean 
this one?
Yes. The matte painting of the Capitol building there is in fact a post card from their gift shop. The late Ray Harryhausen himself did something similar for The Beginning of the End
Well, I’m quite impressed. Um. Would you like to have a seat and watch a movie with me?
I would be happy to partake in a film with you, but I will avoid sitting, as I’m surrounded by an inpenetrable antimatter shroud which destroys anything with which I come into contact.
Oh! It sounded so nonsensical in the film that I just assumed they made it up.
No, in point of fact, their science was mostly right. I am from a distant galaxy composed entirely of anti-matter, and hence the physical laws are very different, hence the gibberish about mu mesonic atoms.
Fascinating. Then why do you sound like a Brooklyn mob enforcer from a thirties noir film trying to sound smart?
The laws governing our accents are very different in the anti-matter universe.
Fascinating. Oh, by the way, I never got your name. In the movie, they just call you “The bird”. And I assume that “Giant Claw” isn’t your real name?
Being as I am, from an anti-matter universe where the laws of physics and accents are radicallty different, the language of my people is extremely complex. Why, a single letter in my native tongue contains over twenty-nine letters. If I were to speak just one syllable of my true name, the sound of it would cause your spleen to sublimate, leaving behind only a gooey pile of Vick’s Vapo Rub. However, since I am a strange and horriffic creature whose very existence is an affront to the standards of logic, decency, and physics in this part of space, according to the traditions of your race, you can call me “Glen”.
Glen?
Glen Peck. After the actor, Gregory Peck.
Riiiiight. Okay Mr. Peck, it turns out that you’ve dropped by right in the middle of my Michael Moriarty Movie Marathon. I realize this might take a little getting used to. Just the other week, I had the ghost of Orson Welles over, and it nearly drove him to try to unleash the forces of armageddon over the earth.
Oh, no, do not worry. I’m a big fan of Michael Moriarty myself. Why, in fact, we beings from the other planes of existence have been all abuzz over the unfortunate incident with Mr. Welles, and among my reasons for coming here was to assure you that we beings from beyond your mortal comprehension aren’t all total douchenozzles. In fact, when I heard you were reviewing the film work of Mr. Moriarty, I dug out a copy of this classic piece, which I think you will find relevant to your interests. My cousin, Glen, he’s got a major part in the film. They approached me, of course, but I retired from acting back in the fifties. Wanted to spend more time campaigning for my political causes.
Political causes?
Yeah. I’ve been a spokesman for Quebecoise independence and statehood for Puerto Rico since the early 70s.
Fascinating if true. But what’s this Michael Moriarty film you’re talking about?
Well, it’s a 1982 film by Larry Cohen, who you wills remember from such films as It’s Alive and God Told Me To.
That’s the one with the glowing gold alien with the chest-oriface, right?
Quite. This is a film that such a personage as Rex Reed celebrated as complete and utter drek. Only he pointed out that even amidst the gigantic ball of my own antimatter droppings this movie is, the performance of Michael Moriarty was a shining gem. A shining gem in the center of a ball of crap.
Now you’ve got my full attention.
Our film is one of the last and most grandiose examples of the Harryhausen school of stop-motion special effects youse are liable to see. I’m talking, of course, about Q
Q: The Winged Serpent
1982
Directed by Larry Cohen
Starring Michael Moriarty, David Carradine, and Richard Roundtree
You had me at David Carradine.
Don’t get too excited. This is an entirely non-Kung-Fu role for Carradine.
Our story opens in scenic New York, where high up on the Empire State Building, a blonde whose name I do not think we ever learn (But based on how her 
office is appointed, I will call her Carrie Bradshaw) is being sexually harassed by the window washer, who appears to be played by Liam Neesen with a Porn Stache.
Sadly, Liam Neesen’s pervy stalkerish behavior is cut trafically short when something from above triggers a cheap process shot where he tries to pretend he’s hanging from the side of the building instead of walking crouched down along a horizontal prop
. Seconds later, the Empire State Building’s strap-on Liam Neesen gets circumsized
by something we don’t yet see, but it sounds kind of bird-like, and, well, we’re watching a movie called “Q: The Winged Serpent”.
Next thing we know, our heroes, a pair of cops played by David Carradine and
Richard Roundtree, make snarky comments about the victim, while David Carradine checks out his partner’s ass. This causes me to finally remember who Richard Roundtree is…
Just as soon as David Carradine and Shaft proclaim their total lack of any kind of idea how the window-washer was decapitated (Carradine suggests that maybe his head was just loose and fell off. This is meant to make Carradine look like a cynical cop with AttitudeWhich technically qualifies him as a Power Ranger, but actually just makes him look like a dick with a terrible sense of humor), we cut to the Man of Action himself, Michael Moriarty. Moriarty’s playing a guy named Jimmy Quinn, who is apparently a small-time hood who makes his living as a wheel man for armed robberies. He’s also suggested to be a jumpy, paranoid type, and, I am starting to suspect, developmentally challenged. If he doesn’t turn out to be Kaiser Soze, I will be mightily disappointed.
Don’t hold your breath
That’s David Carradine’s job.
SQUAK! Too soon, man, too soon!
Sorry. The setup, you know. Anyway, Moriarty and some other hoods are plotting a crime, for which he’s being solicited as a wheel man. And suddenly we’re in a hotel room, where a maid screams, and suddenly we’re a few hours later as police photographers are photographing a crime scene. Does this movie have ADD or something? Anyway, the crime scene in question is the dumping of a man-shaped grilled hot dog, which police detective Captain Kangaroo declares is an expertly flayed human body (they say absolutely nothing to suggest that he was also burned, though the body is quite clearly charred). Shaft also consults on the case, but offers nothing beyond pointing out that the decapitated window washer was, like this case, pretty freaking weird. Did I mention that the other cop in this scene looks like Captain Kangaroo?
Captain Kangaroo 
casually smothers the dead man with a pillow, and, the movie’s thirty seconds being up, we cut to… Um… Uh… The Red Balloon, I guess. Our regularly scheduled monster movie will resume immediately after the pretentious French masterpiece…
We return to find a blonde chyk sunbathing atop a skyscraper. Because the birds featured in this blog have not yet included the booby, she decides to sunbathe topless
. Her luscious partial nudity proves too tempting for our resident for our faithful monster, and it swoops down to devower her, which gives us our first look at the thing. Or rather, it would, if it weren’t for the fact that the camera is pointed directly into the sun. It will later be explained that the creature is clever enough to always fly in front of the sun so that no one gets a good look at it. And then they’ll get to the big reveal of what it looks like, after which it will never attempt to hide itself again.
The sunbather is carried off, to the shock of the perv across the street who was watching her
. As the bird flies off to its lair, the sunbather’s blood drips down on, so far as I can tell, the Bee Gees
. No one is safe from the horrific spray of gore, not even… Chicken Boo.
We cut to Michael Moriarty playing a piano. Yeah. I don’t get it either. I think the scene is there just so that Michael Moriarty and David Carradine will have met each other already (He’s in the bar, drinking between cases) a few scenes later. Pointless
We then proceed to the heist, which is at a jewlery store named — I am not making this up — Neil Diamonds
. This appears to be a fine establishment specializing in blinged-out Stars of David and what appear to be goatse.cx-themed diamond rings
. Michael Moriarty is strongarmed into participating in the heist directly rather than waiting in the car. A few gunshots later, and Michael Moriarty emerges, clutching a satchel of stolen gemstones to his chest. To his horror, he realizes that one of the other hoods has the keys to the car, and so, being a man of action, he runs away like a spaz and gets kneecapped by a taxi, dropping the satchel and running halfway across the city in an awkward, limping panic before he comes to the Chrysler Building, where his lawyer apparently works, when he’s in, which he isn’t, so Michael Moriarty instead decides to get chased by a security guard into the Chrysler Building’s unfinished atticAccording to Wikipedia, the area under the cone of the Chrysler building really does look like an unfinished attic, and the scenes set there where really filmed on location. This sounds like utter bullshit to me, but hey, if you see it on Wikipedia it must be true.. There, he makes a shocking discovery in the form of a giant process shot of an egg
. At the topmost point, we get a little more character development for Michael Moriarty. We’ve previously established that he’s a coward, and now we reinforce it by seeing that even the littlest thing makes him totally lose his shit. For example, see what happens when he’s surprised by a decayed zombie that tries to sodomize him:
Luckily for Michael Moriarty, his assailant turns out to just be a mouldering female corpse. Being a theif of class and sophistication, he immediately tries to steal from the dead, but can’t quite manage to slip the charm bracelet off of the corpse. It’s more or less now that the movie gets bored with this scene, and wanders off to watch the hijinks of some construction workers who have stolen their coworker’s sandwich. Oh the hilarity. The sandwichless worker sulks off, where he is eaten by the giant bird monster. Which I think is supposed to be ironic, but really it just makes his coworkers look like giant dicks who got their buddy horribly killed.
- The primary source of human sacrifice for the Aztecs were prisoners taken in raids and skirmishes. They were only “willing” insofar as there was a general cultural understanding in the area that occasionally being rounded up by Aztec warriors and sacrificed was the price of doing business.
- Human sacrifice was typically done to placate the gods, not to ressurrect them. The closest analogue was the process of becoming an “ixiptla”, wherein the sacrificial victim became a representative of the god, and was effectively awarded rockstar status for the time leading up to the sacrifice.
- Many popular and important Aztec gods were served by human sacrifice, but the cult of Quetzelcoatl mostly sacrificed butterflies and hummingbirds.
This has been your guest host, Glen Peck, bringing youse fun facts about ancient religions.
That out of the way, we return to the David Carradine side of the plot. Having finished up with his boozing, he visits a local museum doing research on the ritualistic flaying. Which I guess means that he’s working that case as well. So the reason that Shaft was at the crime scene with Captain Kangaroo instead of him was, I guess, because David Carradine was on his booze break. He learns about Quetzelcoatl, the feathered serpent of Aztec mythology, whose worshippers, according to the museum person (Professor? Curator?), believed that summoning their god into existence required a number of human sacrifices — and a key point of their belief was that the sacrifices had to be willing.
David Carradine gets some readings on Aztec mythology, which he takes home with him to read at home. With that, day 1 of this epic draws to a close, and David Carradine goes home to do his homework and make sweet love to his wife, 
Cousin It from the Addams Family.
I have noticed that youse have been leaning heavily on the rollover popups for this review.
Just worked out the CSS to do them properly and I am proud. Anyway, Michael Moriarty goes home to his girlfriend and whines for a while about how he’s far too inept to adapt to life outside of prison, then takes a nap.
The next day, Shaft and David Carradine find a new sacrificial victim, in what is undoubtedly the most horrifying scene in this entire movie. A scene so disturbing that I shall hide it behind the jump, and also behind a hover link.
Continue reading That David Carradine is one Bad Mother– (Moriartython, Part 3: Q)