I have about a hundred words left to write in the final chapter of the Winnie-the-Pooh story, but for dramatic purposes it will have to wait for shipping.
Instead…
I have about a hundred words left to write in the final chapter of the Winnie-the-Pooh story, but for dramatic purposes it will have to wait for shipping.
Instead…
And we’re back. Ish. I guess. Getting there. My new computer arrived Saturday evening. Keep in mind that when the old computer died, I slapped the hard drive into an ancient laptop with a quarter of the ram, and it basically just booted up and aside from it not having enough horsepower, the main issue I had was convincing it which screen to use. So I figured this would be a snap. I popped the hard drive from the old one in and fired it up…
Yeah of course nothing is ever easy. First, I spend ten minutes figuring out that the old hard drive uses MBR and the new computer defaults to UEFI, so I had to figure out how to change the bios settings to use the legacy boot mechanism. It finally made it to the Linux desktop… And showed me a warning that it was using software rendering because it didn’t know what to do with the GPU.
This is a Small Form Factor machine marketed as a digital signage player. It can output ridiculous resolutions, but it’s not a super powerful GPU: it’s an on-board Intel chip, same as the old one. I wasted too much time on the assumption that the week my OS had spent Rob Schneidering in a laptop had just donked up the video settings, because you get very little feedback about why you aren’t using hardware acceleration, just that you aren’t and it’s bad.
And it’s bad. This thing was pegging its 8-core i7 4.7 Ghz processor to literally do nothing but show me a terminal window. Also, sound didn’t work, because we live in the HDMI era and sound is a function of video. The usual answer is, “You need to install card-specific video drivers,” except that’s what happens if you have a Fancy GPU, not if you have normal on-board Intel video. There’s an applet you can pull up to check for hardware drivers, and it just told me I didn’t need any, which is what I expected: Intel video drivers are built into the kernel. Finally – possibly after I started this process – I noticed that there’s a specific “Ask the Intel GPU how it’s doing” command, and I ran that. And it failed, which was kinda predictable, but it failed in a useful way: with the message that the 630-series video chip I had was not supported until the Linux kernel 4.15. I’d recently updated the OS on that box, but only to a 2018 version, and its kernel was 4.4. So, roll forward from Linux Mint Sara to Sylvia. No help. Sylvia to Tara. Tara to Tricia. Tricia has a 4.15 kernel but it still doesn’t work. I am on the edge of a breakdown. Both of my children are pestering me because their network-attached music players don’t work because the computer that serves the music database is broken. Push it to Ulyana and it still doesn’t work. But finally, as I am about to cry myself to sleep, I see that there’s an upgrade outstanding: a 5.4 kernel. What the hell, I think, and install it.
Boom. Video drivers work now. Of course, I’ve basically Buck Rogers’d this computer through the whole of the modern “Make potentially system-breaking updates every six weeks” era, so my video card works, but basically nothing else does now.
The upgrade process itself had a few hiccups. Namely:
Almost everything is mostly-working now. Still haven’t gotten the notification popups to not-crash, but you can’t have everything. The new box is much peppier, has a huge amount of ram, and can be mounted right-side-up without making a grinding sound, so I think this will do me for a while.
I hope.
It turns out I never bothered posting the second half of the article on “The Raising of Lazarus“? Damn. Now I have to find the draft and redo all the jokes because IIRC they were mostly gallows humor about the election.
Anyway, I’m not doing that this week on account of this:
At about 6:15 this evening there was a lightning strike nearby and my computer up and died. So much for the surge suppressor on the UPS.
I am cobbling together a temporary solution and sorting through big feelings now and will try to have something useful to say next week.
It feels like every time I post an article about my collection of War of the Worlds-related swag, there’s an implicit “This will probably be the last of these,” about it. Well, this will probably be the last of these. But I’ve got a little bit more pocket money recently, so it’s entirely possible I will blow a few bucks on a fanzine or something.
Anyway, a while back I blew fifty bucks or so on the print press kit for War of the Worlds. Just the folder of press releases, sadly; not the globe. Even more sadly, as I was scanning it, I discovered that it’s not even complete. But all the same, for the sake of history, I might as well talk about this…
The version of the press kit I managed to snag is a cardstock folder emblazoned on the front with the same “Alien hand grabbing the Earth” art that’s on basically everything else. The hand is the thinner, more skeletal version of the hand, like we saw on the novelization, rather than the beefier ones used for visuals in the show. The cover uses an unadorned sans serif font. Internally, the title of the show is rendered with the Science Fiction Warp Trail Effect we’ve seen a bunch of times before.
The back is a plain starfield with a small copyright notice at the bottom. The folder is in the same style as the one that was used for the fancier globe-style press kit, but is simpler and lacks dividers.
The kit I received contained nine 8×10 glossy black and white photos and eleven documents. I’ve seen all these photos before – most of them were reproduced in Elyse Dickenson’s concordance. It’s nice to have them in this quality, though. Because this is 1988, these are photographic prints rather than 4-color process prints, which means I’m in luck if I ever decide I need to have a mural-sized black-and-white picture of Jared Marten printed up. There are headshots of the four leads, three group shots, and two set photos. It looks like the globe kit also included the promotional reference photos for compositing. According to the documents, the press kit originally came with a copy of the novelization.
While painstakingly destapling the documents for scanning, I discovered that the pages had been shuffled at some point, and a bunch were missing. Here’s what I’ve got:
If there was a manifest page, it’s missing, so I can only speculate at what isn’t here. I assume there was originally a bio for Lynda Mason Green, and at least two additional pages to cover the gaps in the first two documents. I guess it’s possible that there’s nothing missing, though. The page numbers all work out right, so it could be that the first two documents really were one continuous thing and the discontinuity between pages one and two is sloppy editing. No bio for Lynda seems obviously wrong though.
Page two of the media coverage document begins with the tantalizing parenthetical, “(Gene Barry’s character from the 1953 film)”, but embeds it in a paragraph about the upcoming festivities for the fiftieth anniversary of the 1938 radio show. It goes on to suggest interviewing effects supervisor Bill Sturgeon, modelmaker Greg Jein, and special effects coordinator Bernie Laramie, as well as Ann Robinson. It ends on a suggestion that the potential for another outbreak of mass hysteria like (allegedly) in 1938 would be a good angle for a story about the new series.
The promotional tie-in suggestions guide is even more interesting. They point out that Halloween is coming soon, and already has a historical association with the franchise, so why not print your station’s logo and the series logo on bags of candy for trick-or-treaters? I mean, other than the fact that this is definitely not a show for children of trick-or-treat age. I mean, a dude gets his face casually slapped off by a little old lady. “This would also be a prime opportunity to sponsor a WAR OF THE WORLDS party, perhaps in conjunction with a local dance club and college campus.”
They again point out the Grover’s Mill celebrations, suggesting that plane ticket to New Jersey might be a good contest giveaway, and pointed media departments to Creation Conventions and Starlog magazine as resources if they’re interested in getting involved with the local convention scene.
Another aspect of brand promotional opportunities that seem obvious but I never would’ve thought about on my own is that the actors from a broadcast show in this era would be expected to record promotional bumpers for the local stations. A station could write to Paramount with their requirements and get back a ten second tape of Jared Martin saying, “I’m Jared Martin and you’re watching War of the Worlds on WDCA 20,” or suchlike, as explained at the bottom of page two.
The last section, though short, is pregnant with denied potential. They point readers to Simon and Schuster for discounted copies of the novelization to be given away for promotions, and promise other merchandise to come in the months ahead. “Additional premium items with the WAR OF THE WORLDS logo will be available for purchase,” they optimistically promise, then claim that they are planning to release T-shirts, sweatshirts, posters, more novelizations, and sleepwear. Yes, dear reader. Somewhere, tucked away in a warehouse in Los Angeles, I can only assume, I can only hope, I can only pray, there is an unreleased prototype version of a Lieutenant Colonel Paul Ironhorse camisole.
The KCOP press release contains no new information, but is a neat physical artifact. Its most interesting feature is what it chooses to highlight in each performer’s capsule bio. For Martin, Dallas, of course, but also his Broadway work in Torch Song Trilogy. For Chaves, obviously Predator, but also an Aristotle Onaissis biopic.
There’s something similar in the press kit bios for the production team. For Jonathan Hackett, they highlight his role as the production manager on Follow That Bird. Yes. The Sesame Street movie. Tom Lazarus has an extensive resume, and they cite some things you’d expect (Though I guess by 1988, his work on Knight Rider wasn’t noteworthy any more), but also his 20 educational films for Psychology Today and his work on – I am not making this up – Mazes and Monsters. Sam Strangis’s bio is oddly short – only a single page including the press contact blurb. It’s also weighted toward his works in the ’60s and ’70s, giving the unfortunate impression that his heyday is behind him. The younger Strangis’s bio gives a surprising amount of words to The Karen Valentine Show, an unsold pilot from 1973.
While I’m sure every other thing I’ve read about the War of the Worlds cast draw primarily from these bios, there’s still a handful of tidbits in there I hadn’t heard before. A fun fact from Richard Chaves’s writeup is that his first acting role playing a Native American character was as “Irondog” in the third The Gambler movie. Philip Akin has a sweet anecdote wherein he declined a nice pair of loafers from the costume department because his research for the part suggested they would be hard for a wheelchair-user to put on unassisted. They note that Norton would come to be known for his distinctive printed T-shirts. Which I had, being honest, never noticed. Another new piece of trivia for me is that Jared Martin was in Marat/Sade. This sticks in my mind because yesterday, I learned that Abe Vigoda was too, through not, as far as I can tell, the same production.
His bio includes a quote along similar lines to what we’ve seen before about Martin’s take on the character, that he’s playing him as a “sexy” intellectual. I like that idea on paper, particularly given how it slots in with Gene Barry’s character in the film, but in practice, I never found Sex God Harrison convincing. I know Jared Martin was able to convincingly play “sexy” given his experience in Dallas, but I never felt he managed to thread the needle in War of the Worlds largely because his eccentricities were clearly meant to be charming, but more often were offputting. He’s too Big Bang Theory and not enough Stargate. The bio also mentions that he prepared for the role by reading Sagan and The Oxford Companion to the Mind, and there’s a brief mention of his interest in photography.
I’m glad to have one more physical artifact from this show. I wish there were more. I was promised sleepwear. It’s nice to have the original sources for some of the details we’ve seen crop up in various articles and other readings, and even if this doesn’t add much of anything new, it’s certainly interesting to see what Paramount thought were the show’s major selling points back in 1988.
So… Anyone have the pages I’m missing?
A failed update of the geolocation database caused the anti-malware on the site to go tits-up for a few hours and just block everything. And then it took me another couple of days to noticed that when tech support “fixed” it, they did so by blowing away part of the apache configs so that only the front page was working afterward. So that was fun. Here’s some pictures.
Evelyn wants me to finish the Winnie-the-Pooh story, but I’ve been busy with work, so instead, here’s a picture I took while walking around Wilde Lake.
There are a lot of signs around Wilde Lake warning not to feed the geese. Many posted by the local government, but some not. I sense there was an incident.
As it was only a little past lunchtime when Piglet had left Evelyn and Red Zoomer to their own devices, girl and scooter decided – though really it was mostly Evelyn doing the deciding – to spend a bit more time in the Hundred Acre Wood that day and see what other friends they could meet. So she turned southward, and before long, came to the part of the wood known as Pooh Corner, where the old gray donkey Eeyore had once built himself a house, and a short while later, his friends had disassembled it and then built it again.
And there, thankfully where it had been left the second time, was the little house, and there, beside it, was Eeyore, gloomily munching on some thistles. “Hello Eeyore,” said Evelyn.
Eeyore said nothing, but looked up from his thistles and glanced about himself, then returned to them with a gloomy sigh. “Would you like to find some treasure?” Evelyn asked.
Again, the donkey looked up, and looked all about himself, and gave another gloomy sigh. “I beg your pardon, small child,” he finally said. “But you seem to be looking for someone.”
“I’m saying hello to you, Eeyore,” Evelyn said, patiently. “I want to take you on an adventure.”
“Ah,” said Eeyore. “I fear you are mistaken. It’s Pooh Bear you want. Visitors to this wood are always looking for him.”
“No, Eeyore, I was looking for you.”
“Piglet then,” said the donkey. “He’s not so well known as Pooh, of course, but charming in his way.”
“Eeyore,” said Evelyn, “I’ve already visited with Pooh, and Piglet, and Tigger too. And now I want you to come with me to find treasure.”
“Me?” asked Eeyore, not at all convinced.
“You,” Evelyn repeated.
Eeyore turned around in a circle, just to be certain, then gave a little nod of resignation. “I suppose it must be, then,” he said. And off they went.
Evelyn was by this point getting quite good at finding the shady spot quite near the north pole, but she made a great show of checking her map, for Eeyore’s benefit. When they finally got there, Eeyore looked around the place and sighed. “I see,” he said. “I understand now. Finding a treasure is an Expotition which calls for Brain. And Pooh, and Piglet, and Tigger, and even Little Roo, well, they are of course quite agreeable for spending a lazy afternoon playing Pooh Sticks or catching butterflies. But they haven’t a single brain between them, just fluff. This, I think, is a job that calls for some other animal. I shall set myself to it.”
And so he did. He set himself to the search with all the speed and vigor of a tired old gray donkey. And quite some time passed as he looked all around the shady spot, under leaves, and between blades of grass, and on top of mushrooms. Evelyn passed the time by trying to teach herself to climb trees (without much success) and how to button buttons (with a little more success), and by sometimes making a loud “Ahem” sound while tapping the fallen log with her foot.
But eventually, as it was starting to get a bit late, Evelyn said, “Eeyore, have you tried looking inside this log?”
“What?” said Eeyore. “What’s that? How is anyone to search for treasure with these constant interruptions? Here I am, just about to search inside this fallen log, when all of a sudden, I am interrupted. Honestly.” Then, Eeyore looked inside the log, and nodded very sagely to himself. “Aha,” he said.
“Have you found something?” Evelyn said, as casually as she could, given how long this particular Expotition had taken.
“I have found A Something,” Eeyore said. “Of a very suspicious kind.”
Evelyn helped Eeyore take the jar out of the log and declared, “Eeyore, you’ve found the treasure!”
“Have I?” he asked.
“Yes, look,” Evelyn said, and opened the jar. And there inside, Eeyore saw all the various treasures, such as the pretty rock from Pooh, and Tigger’s spring, and Roo’s marbles, and Piglet’s button.
“Oh,” said Eeyore, with a little longing look in his eye. “Well I don’t suppose… No, no, it could never be…”
“What is it, Eeyore?” asked Evelyn. “Would you like a piece of treasure?”
“It’s just… If no one would object… That button…”
Evelyn took the button out of the jar. It was the one that Piglet had put in that morning. “Do you want the button, Eeyore?” she asked.
Eeyore looked over his shoulder. “I think that a button like that would be just the thing to attach my tail. Nails can be fickle things, you know.” Evelyn looked at Eeyore’s backside and saw that his tail was held on with a nail, and could tell that it would take only a very little bit of pulling for the nail to come out.
“You could have the button, Eeyore,” Evelyn said. “If you have something to trade.”
“Hm,” said Eeyore. “Hm indeed. Aha.” And he took out a length of ribbon. “I had been saving this ribbon to replace my tail in the event I lost it again,” he explained. “But with that button, I don’t expect I’ll be needing it any more.”
Evelyn agreed that the ribbon would be a very grand thing to trade for the button. So she put the ribbon in the jar and took out the button. And while Eeyore was writing his name in the log book, Evelyn, who, as you will recall, had just been practicing a little while ago, buttoned the button onto Eeyore’s tail so that it was fixed firmly to him and wouldn’t fall off.
Once the treasure was safely put away back in its log, Eeyore swished his tail a few times, and nodded contentedly. “Thank you, small child,” he said. “You have done a great kindness to an old donkey.”
“You’re very welcome, Eeyore,” said Evelyn.
And so Eeyore went back about his business, and as it was getting late, Evelyn went home for the night. But the next morning, she returned to the Hundred Acre Wood, and this time, she made her way to The Chestnuts, and climbed up to the house of Owl. The sign on Owl’s door read, “PLES RING IF AN RNSER IS REQIRD. PLES CNOKE IF AN RNSER IS NOT REQID.” Evelyn could not read this sign, but it hardly mattered as there did not seem to be a bell pull anyway, so Evelyn knocked on Owl’s door.
“Hoo-oo’s there?” called the voice of Owl from behind the door.
“It’s Evelyn,” Evelyn said. “And you’re Owl.”
“Hm, yes,” said Owl as he opened the door. “You must be the little girl who has been taking all the animals in the wood on an Expotition?”
“Yes. I want you take you to find a Geode Catch,” she said.
“Ah,” said Owl. “Hm. Yes. The spotted or herbacious Geocache. Geode, From the Greek, geodes.” He took down a book from his shelf and consulted it, very importantly, then turned it the right way up and consulted it more. “Meaning a sort of hollow rock with crystals lining the inside. And catch from the Anglo-Norman cachier, meaning… Hm… Um… To… To catch. I see. Yes. Well, we’d best be off then,” he said.
And so they were. And along the way, they happened upon Rabbit, who had been busy gardening all week, and thought that an Expotition to find a Geocache would be a good way to pass the time while he waited for his carrots to sprout. So along they went, once again, to the shady spot quite near the North Pole.
Owl found a convenient branch and busied himself with searching in all the high places, in between breaks to tell the story of his cousin Owlsworth, who once caught a geode that was hidden underneath a stage by the lake. Evelyn thought it was very lucky that the treasure was not hidden somewhere up high, because with all the story-telling, Owl got very little actual looking done.
Rabbit, meanwhile, looked in all the low places: between the flowers, and under the leaves and he even dug a few small holes, being something of an expert at digging. But before long, he looked in the hole in the log, and up he came with the treasure. “You found the treasure, Rabbit!” Evelyn exclaimed.
“Well so I did,” said Rabbit. “Let’s see what’s inside.” Evelyn helped him open the jar, and they looked at the treasures inside.
“Oh no,” Evelyn said. “The pen got lost. Now you can’t write your names in the book.”
“I believe I can help with that,” said Owl, and took one of his feathers to use as a quill pen. He flapped down from the convenient branch and wrote his name in the book, WOL. Then he gave the quill pen to Rabbit, to write his name. Once signing the book was done, Owl put the feather in the jar for the next person to use, and added a second feather as a treasure to trade. In return, he took the ribbon that Eeyore had left, because it would make a very nice bell-pull.
Rabbit looked in the jar as well, and after a bit, he saw the spring. “Why, I plant my carrots in the spring,” he said. “This spring is the perfect thing to put on my mantle to remind me of how much I like spring. Whenever I look at it, I’ll remember that when springtime comes along, I have to plant my carrots.”
Evelyn thought that was very funny, because the spring had been left by Tigger, and Evelyn knew that Tigger and Rabbit didn’t always get along. So it was very funny to her that Rabbit would be so excited to have one of Tigger’s springs. In its place, Rabbit left his extra gardening glove.
Rabbit was so excited to put his new spring on his mantle that he hopped straight off home once they had put the geocache back in its hiding place. Owl began to tell a story about his great aunt Muriel, who owned a pen shop specializing in quill pens, but Evelyn suddenly remembered that she had wanted to visit the bridge to nowhere near the lake, and so she said goodbye to Owl and headed home.
ooops! I forgot to finish writing the story I was going to post today, so here’s some pictures of the cool bridge to nowhere I found over the weekend.
We start drifting a little from the way we originally told the story here because I couldn’t figure out how to make the original sequence of events make sense, but I assure you I have captured the overall gist of it.
A day or so later, Evelyn once again decided to go for a scooter-walk to the Hundred Acre wood. And before long, she came to the home of the Piglet. Evelyn knew it was Piglet’s house the moment she saw it, because it was a beech tree, and because it was next to a sign that said, “TRESPASSERS W”, and because Piglet was standing in front of it, sweeping the dust from his front step.
“Hello Piglet,” Evelyn said. “I’m Evelyn. I know you are Piglet, and you’re Winnie-the-Pooh’s friend.”
“Hallo, Evelyn,” said Piglet. “Pooh Bear told me all about your Expotition. It sounded like quite the grand adventure.”
Evelyn thought that Piglet sounded rather sad, as though he were very sorry to have missed the Expotition. In fact, Piglet was mostly of the opinion that the very best sorts of grand adventures were the ones that were already over and done with so that everyone could enjoy a pleasant Pooh Hum about them.
Evelyn said, “We could go on our own Expotition if you like. And you could find the treasure yourself.”
“Hm,” said Piglet. “I suppose if it’s an adventure, I should go. But are we likely to meet any Heffalumps on the way? Because I very nearly met a Heffalump once, and I shouldn’t like to repeat it if Pooh isn’t about. It’s so much safer with two, you know.”
“I don’t think we’ll see any Heffalumps,” Evelyn said in a breezy sort of way. “But we must be on the lookout for Muggles.”
“Oh dear,” Piglet said in a worried sort of way. “Are Muggles terribly ferocious?”
“No, no, Piglet,” said Evelyn. “Muggles are what Geocachers call people who don’t know about Geocaching. You have to be very careful not to let a Muggle see you when you find a geocache, because they don’t know the rules.”
“Well that’s all right then,” said Piglet, and so he and Evelyn and Red Zoomer set off, past the six pine trees, and toward the little spinney where Pooh had once failed to catch a woozle, and over the river, and at long last to the shady spot quite near the North Pole.
Evelyn showed Piglet how they had to search. Piglet looked under stones and between sticks and had just spotted the treasure jar inside the knot-hole when a rustling sound came from beyond the clearing. “Muggles!” Piglet shouted, and hid himself in the knot-hole at once.
But Evelyn just laughed. “Look, Piglet,” she said. “It’s your friends Tigger and Roo.”
And so it was. That morning, after Tigger and Roo had their breakfast of malt extract and tea cakes, they had gone out for a bounce in the woods, and by chance had happened upon the little shady spot just as Piglet had found the treasure. Piglet poked his head up out of the knot-hole, and in a very cautious voice, asked, “But are they muggles?”
“I’ll check,” Evelyn said. “Hi Tigger, I’m Evelyn. Do you know about geocaching?”
Tigger, being that sort of tigger, puffed out is chest and said, “‘Course I do. Catching geodes is what Tiggers do best!” and to demonstrate, he bounced straight up into the air, snatched something, and presented it to Evelyn. “See?” he asked.
It quickly became clear to Evelyn that Tigger had confused geodes with cicadas, for there were rather a lot of them this year. Evelyn leaned down close to Piglet and whispered, “I think they might be Muggles, Piglet. You know what that means.”
Piglet did not know what that means, and said so, but Evelyn smiled and said, “It means we get to teach them all about it!” And so she did, explaining to Tigger and Roo all about Geocaching, and how to follow a map, and how to search for treasure, and how they could trade something if they found it. Roo thought this was all terribly exciting and began pointing all about at every crook and hole and shadow on every tree and begging Tigger to climb up and look. Tigger, who had learned his lesson about climbing trees, was rather nervous about the prospect, and contented himself to searching just the branches that were below bouncing height.
Piglet climbed out of the knot-hole and made a grand show of searching as well, because he thought it would be rather impressive if he pretended not to know where the treasure was, and then just sort of found it in a casual sort of way. But he left it too long, and little Roo bounced into the knot-hole and found the treasure himself. Piglet was greatly disappointed by this, but Evelyn game him a knowing sort of wink, which made him feel better about the whole thing.
Evelyn helped Roo open the jar, and they all looked at the many small treasures inside. Evelyn suggested that Piglet should choose first, as he was the first one to join the Expotition. Inside the jar, Piglet found a Lego figure that looked just like himself, and he thought that it was so perfect that maybe someone had left it there just for him. Evelyn agreed that was a very likely thing, and asked what treasure he was going to leave in its place.
“I hadn’t thought of that,” Piglet said. “I suppose I could leave a haycorn.”
“I don’t know, Piglet,” said Evelyn. “It could be a long time before the next person finds the Geode Catch, and the haycorn could be spoiled by then.”
Piglet, who was starting to feel a little peckish, was relieved to hear that. So instead, he checked himself all over. As it happened, Piglet was wearing a brand new sweater, or jumper, depending on your localization and what sort of stone Harry Potter found in your area. And it came with a very splendid extra button. As Piglet – having the wrong sort of fingers for buttoning buttons – never buttoned the buttons on his sweater, or jumper, to begin with, he didn’t imagine he would need a spare. Evelyn agreed that a pretty button was a very good sort of treasure, so Piglet traded it for the little Lego Piglet.
Next, it was Roo’s turn. Roo had a few marbles in his pocket, and he traded them for some marbles that he found in the jar, and if you could tell the difference between the marbles he started with and the marbles he ended with, you have a keener eye than I do, but Roo was happy with the trade.
Finally, it was Tigger’s turn. Tigger’s first thought was to take the very button that Piglet had just left, but Evelyn suggested it might be more fun to leave that for someone who didn’t know where it had come from. So Tigger dug down deeper in the jar and found a Tigger-shaped key. “A Tigger key!” he exclaimed. “Why, this is the most tigger-riffic treasure I’ve ever found!” and in trade, he left one of his extra springs, feeling that with his new key, he was entirely bouncy enough without it.
Afterward, everyone wrote their names in the log book. Piglet, of course, could write his own name. Roo could not, but insisted on trying anyway. Tigger, after insisting that name-writing was what Tiggers did best, and then fumbling with the pen several times because pens are not a good fit for Tigger-paws, conceded that, “Tiggers don’t like using pens,” and let Evelyn write it for him as he spelled his name out for her: T-I-GG-R.
Once the cache was safely put away, Tigger and Roo bounced happily off into the woods to find whatever locks they could try Tigger’s new key on, and Evelyn climbed aboard Red Zoomer to see Piglet home and perhaps have a little lunch, because she had never tried haycorns before. But just as they were passing the six pine trees, a passing squirrel dropped a nut into a pile of dry leaves and it made a little rustle and Piglet, who had been thinking in a very thoughtful sort of way about the day’s adventure, was so startled that he suddenly shouted, “M- M- Muggles!” and ran all the way home.
I have an exciting work-related thing going on this week which is occupying my time, and also I got bifocals for the first time and have not re-learned how to see well enough to write long-form fiction or essays, so instead of the usual offerings, here is a picture of the dice wall my wife made. See you next week.